The Patagonian Hare

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“Memory is not just the past, it is the future.”

Chapter Summaries

The Patagonian Hare is Claude Lanzmann’s sprawling memoir, weaving together personal history, philosophical reflections, and accounts of his monumental work on Shoah. The book unfolds non-chronologically, blending intimate recollections with broader historical narratives.

Early Life and War

Lanzmann recounts his childhood in Paris, his Jewish upbringing, and the impact of World War II. He describes fleeing the Nazi occupation, his involvement in the French Resistance, and the moral awakening that shaped his later work.

Intellectual and Political Engagements

The memoir delves into his friendships with Jean-Paul Sartre and Simone de Beauvoir, his time as editor of Les Temps Modernes, and his political activism, including his support for Algerian independence and opposition to colonialism.

The Making of Shoah

A significant portion of the book details the 12-year process of creating his landmark Holocaust documentary. He reflects on the emotional toll of interviewing survivors, perpetrators, and witnesses, and the ethical dilemmas of representing the unimaginable.

Travels and Reflections

Lanzmann recounts his global travels—from Israel to North Korea—and how these experiences informed his understanding of violence, memory, and justice. The “Patagonian hare” emerges as a metaphor for the elusive nature of truth and survival.

Later Years and Legacy

The closing sections grapple with aging, the weight of memory, and the enduring relevance of his work. He confronts his own mortality while affirming the necessity of bearing witness.


Key Ideas

  • The inextricable link between personal and historical memory
  • The ethical responsibility of documentary filmmaking
  • Trauma as both individual and collective experience
  • The limits of representation in depicting atrocity
  • Political commitment as a moral imperative

Who should read this book?

  • Readers interested in Holocaust studies and documentary ethics
  • Those drawn to 20th-century intellectual history
  • Admirers of literary memoirs with philosophical depth
  • Filmmakers exploring trauma and representation